Author: Gregory Salter
Publisher: Taylor & Francis
ISBN: 1350052736
Size: 72.36 MB
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"In this book, Gregory Salter traces how artists represented home and masculinities in the period of social and personal reconstruction after the Second World War in Britain. Salter considers home as an unstable entity at this historical moment, imbued with the optimism and hopes of post-war recovery while continuing to resonate with the memories and traumas of wartime. Artists examined in the book include John Bratby, Francis Bacon, Keith Vaughan, Francis Newton Souza and Victor Pasmore. Case studies featured range from the nuclear family and the body, to the nation. Combined, they present an argument that art enables an understanding of post-war reconstruction as a temporally unstable, long-term phenomenon which placed conceptions of home and masculinity at the heart of its aims. Art and Masculinity in Post-War Britain sheds new light on how the fluid concepts of society, nation, masculinity and home interacted and influenced each other at this critical period in history and will be of interest to anyone studying art history, anthropology, sociology, history and cultural and heritage studies."--
Language: en
Pages: 225
Pages: 225
"In this book, Gregory Salter traces how artists represented home and masculinities in the period of social and personal reconstruction after the Second World War in Britain. Salter considers home as an unstable entity at this historical moment, imbued with the optimism and hopes of post-war recovery while continuing to
Language: en
Pages: 224
Pages: 224
Books about ART AND MASCULINITY IN POST-WAR BRITAIN
Language: en
Pages: 224
Pages: 224
In this book, Gregory Salter traces how artists represented home and masculinities in the period of social and personal reconstruction after the Second World War in Britain. Salter considers home as an unstable entity at this historical moment, imbued with the optimism and hopes of post-war recovery while continuing to
Language: en
Pages: 279
Pages: 279
During the years following World War II, Britain was plagued by privation, xenophobia, and humiliation from the loss of colonial territories and political power. At the same time, the country was in the midst of a dawning triumphalism, seen first in the Festival of Britain, then in the new Coventry
Language: en
Pages: 248
Pages: 248
This is the first full-length study about the British artist Roy Ascott, one of the first cybernetic artists, with a career spanning seven decades to date. The book focuses on his early career, exploring the evolution of his early interests in communication in the context of the rich overlaps between
Language: en
Pages: 232
Pages: 232
When the personal became political it changed British politics for ever. Gay men and the left, available in paperback for the first time, explores the enormous impact that gay politics had on the landscape of post-war Britain.
Language: en
Pages: 192
Pages: 192
The impact of the Cold War on German male identities can be seen in the nation’s cinematic search for a masculine paradigm that rejected the fate-centered value system of its National- Socialist past while also recognizing that German males once again had become victims of fate and fatalism, but now
Language: en
Pages: 253
Pages: 253
In the late 1940s, the Labour government faced a birthrate perceived to be in decline, massive economic dislocations caused by the war, a huge national debt, severe labor shortages, and the prospective loss of international preeminence. Simultaneously, it subsidized the emigration of Britons to Australia, Canada, and other parts of
Language: en
Pages: 337
Pages: 337
After World War I, newly blurred boundaries between male and female created fears among the French that theirs was becoming a civilization without sexes. This book examines how, through public debates concerning female identity, French society came to grips with the horrors of the Great War.
Language: en
Pages: 273
Pages: 273
Do open societies need transparent architecture? Does transparent architecture help make an open society? This book examines German culture's on-going relationship with Transparency, a relationship which culminates in the new Reichstag building.