Author: Edward Burns
Publisher: Springer
ISBN: 134909594X
Size: 65.35 MB
Format: PDF, ePub
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An analysis of acting and characterization on stage, covering theories of character from Aristotle to Brecht and approaches from formalism to post structuralism. The Early Theatre Group have, over the last 5 years, used an experimental approach to performing some of the plays written about here.
Language: en
Pages: 238
Pages: 238
An analysis of acting and characterization on stage, covering theories of character from Aristotle to Brecht and approaches from formalism to post structuralism. The Early Theatre Group have, over the last 5 years, used an experimental approach to performing some of the plays written about here.
Language: en
Pages: 309
Pages: 309
This book documents the changing representation of subjectivity in Medieval and Early Modern English drama by intertextually exploring discourses of 'self-speaking', including soliloquy. Pre-modern ideas about language are combined with recent models of subject formation, especially Lacan's, to theorize and analyze the stage 'self' as a variable linguistic construct. Both
Language: en
Pages: 214
Pages: 214
The Interpersonal Idiom offers a timely reformulation of identity in the age of Shakespeare, recovering a rich and now obsolete language that casts selfhood not as subjective experience but as the experience of others.
Language: en
Pages: 189
Pages: 189
This book investigates how the Children of Paul's (1599-1606) and the Children of the Queen's Revels (1600-13) defined their players as children and, via an analysis of their plays and theatrical practices, it examines early modern theatre as a site in which children have the opportunity to articulate their emerging
Language: en
Pages: 267
Pages: 267
Early modern drama is steeped in biblical language, imagery and stories. This collection examines the pervasive presence of scripture on the early modern stage. Exploring plays by writers such as Shakespeare, Marlowe, Middleton, and Webster, the contributors show how theatre offers a site of public and communal engagement with the
Language: en
Pages: 259
Pages: 259
Shakespeare and Character brings together leading scholars in theory, literary criticism, and performance studies in order to redress a serious gap in Shakespeare studies and to put character back at the centre of our understanding of Shakespeare's achievement as an artist and thinker.
Language: en
Pages: 240
Pages: 240
Christopher Smart and Satire explores the lively and idiosyncratic world of satire in the eighteenth-century periodical, focusing on the way that writers adopted personae to engage with debates taking place during the British Enlightenment. Taking Christopher Smart's audacious and hitherto underexplored Midwife, or Old Woman's Magazine (1750-1753) as her primary
Language: en
Pages: 414
Pages: 414
This book explores representations of the individualistic character in drama, Shakespearean and non-Shakespearean, and some of the Renaissance ideas allowing for and informing them. Setting aside Shakespearean exceptionalism, the study reads a wide variety of plays to explain how intellectual context could allow for such characterization.
Language: en
Pages: 304
Pages: 304
This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare.
Language: en
Pages: 196
Pages: 196
To refine a critical understanding of early modern acting styles, Shakespeare’s Dramatic Persons explores how the classical rhetorical tradition would inform an actor’s personation of character.